The Degenerate Art Movement - 1154 Words

Im going to be explaining 3 glass stores that Ive grow up with; I have many experiences with all of the stores, some I visit still while some have been just a few visits left for the past. They all are targeting the same consumers just all on different levels of the same market segment. All of the shops target people who buy glass whether they be glass pipes, glass marbles, glass sculptures, as well custom metal jewelry in some. The Degenerate art movement has recently taken major interest from many; recently a huge spike in new collectors, artists, as well many new galleries and stores. The Degenerate Art Movement I am talking about is basically the glass blowers out there who are going against the social norms. They are artists that are taking a medium used for art, and a medium that has been used to make pipes and bongs and fuse the 2 ideas of art and pipes or water pipes into one. They are using glass pipes as the way to portray their talent. To some they laugh at the fact, but w hat they dont know is that there are water pipes out there selling for anywhere from $1,000 all the way up to $30,000. To some they are recognized as modern day living Picasso’s, and others just dirty hippies making money off a drug culture. These artists dont just make pipes though; they make things such as glass marbles where beautiful images and mind-bending ideas are encased for one to view and enjoy forever. They make amazing things like cups and plates to eat off of. Ive seen someShow MoreRelatedMovements in Art Report Essay1427 Words   |  6 Pages Degenerate art is not bad art; it was just labeled that by the German government. In 1937, an exhibition of over six hundred works labeled Degenerate Art opened in Munich, Germany, right next door to an exhibit of its opposite, Great German Art. The purpose of Degenerate Art was to showcase art with subjects and styles that disobeyed Adolf Hitler’s standards of art, which targeted most modern, avant-garde art that s eemingly attacked the purity of the German people. Hitler understood that art wasRead MoreThe Ultimate Aryan Race from the Nazis883 Words   |  4 Pagesthey did not obide German policy, they were classified as degenerate and were banned from the ever-expanding Aryan Race. The lengths to which the national socialists went to, to degrade these artists, was unimaginable. They labeled proclaimed artworks as degenerate and stuck them into an exhibition (Entarte Kunst) to display for the german people what was now considered un-German (Barron 2). 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Art, music, pageantry and oratory were all combined on a massive scale. In the time between rallies, local SA or Hitler youth groups campaigned to raise funds for the Party. The most frequent campaigns were for one pot Sundays, when familiesRead More Edvard Munch: A Biography Essay examples709 Words   |  3 Pages Edvard Munch: A Biography Edvard Munch is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was recognized in Germany and central Europe as one of the creators of a new movement in art. Munch and many artists of the time needed to express their feelings about all the change that was happening around. nbsp;nbsp;nbsp;nbsp;nbsp;Edvard Munch was born in Norway in 1863; he knew how a persons emotional pain feels. He was the son of an Army Medical CorpRead MoreThe Importance Of Art And Its Impact On Society2506 Words   |  11 Pages Throughout history, one of the most expressive mediums through which humans can convey their thoughts is via art. Whether it is through sculpture, painting, or a print, an artist is capable of making a political statement or endorsing an idea simply by subtly alluding to it in their work. Alternatively, an artist can be forthright with their ideals as would have been the case for people such as the Dadaists. In any case, artists are able to support a lot more than just beauty in their work, andRead MoreDifferences Between Class, Religion And Politics1500 Words   |  6 Pagesrange of people. Technology such as loud speakers, radio and film were used to show these very same ideologies. In September 1933, The Reichskulturekammer (Reich Culture Chamber) was established and led by Goebbels. The seven sub chambers of fine arts, music, theater, the press, the radio, literature, and films was established. Only artists that complied with Nazi ideology was able to become members and be active in the cultural community. bBY 1935, the Reich Culture Chamber had 100,000 members